“Theatre gives you a strange kind of dignity,” says Arun of Surnai theatre, which is all set to open a four-day festival in Prithvi on November 11. Deeply aware of the hardships of migrant crew workers, actor Ila Arun can empathize. “In this scenario, how do I tell technicians to come back?” asks Sharma. For set and light designer Bholanath Sharma, who has neither received any enquiries from theatre producers nor any feelers abating his fears of cost-cutting on their part, the backdrop is still bleak. She has a ringside view to the dire situation of technicians, ironing men, make-up artists and others who make up theatre’s ancillary players.
MARATHI DRAMA MUMBAI UPDATE
If you are interested to act in Marathi films, please update your profile with us and we will get in touch with you if shortlisted. Given below are audition updates for Marathi films. “Only 50% rent must be charged for 50% seats,” says Padamsee, stressing the need for financial relief from the ministry of arts and culture. We have the following requirements for Marathi actors for film in Mumbai. Kunal Kapoor, trustee of Prithvi Theatre, says: “While we will respect and abide by the SOPs (standard operating procedure) declared by the government, we cannot but feel the unfairness of it when the 50% rule does not apply to trains, buses, air travel, markets or anywhere else.” Raell Padamsee, head of theatre company Ace Productions, has seen production costs rise “astronomically” due to SOPs. It’s evident, though, the term ‘housefull’ has become a misnomer. Several shows ranging from Indian classical music to Marathi and English plays too were sold out at Prithvi Theatre which opened on October 24. His home back in the village is a broken one, and he has a wretched job of cleaning tables at a Mumbai.
MARATHI DRAMA MUMBAI FULL
Seats for NCPA’s reopening day show on October 29 are fast filling. Language: Marathi Director: Sandeep Modi Cast: Swanand Kirkire, Sahil Jadhav, Sangram Desai The key to watching a film with a child protagonist is to watch it through his eyes, and Baalu (Sahil Jadhav), the 15-year-old at the centre of Sandeep Modis Chumbak is cynical, full of mistrust. While the audience’s appetite for live dramas does not seem to have been thwarted by Covid, some lament the loss-making-yet-essential 50% occupancy rule while others choose to see the glass as half full. Like Damle, several actors are eagerly rekindling their romance with the stage in the wake of the reopening of theatres and auditoriums. The Marathi play ‘ Eka Lagnachi Pudhchi Goshta’ will mark the reopening of NCPA on October 29 after a year-and-a-half-long Covid-induced gap. Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India. Today, more than a decade later, when Damle ascends the same stage, Manya would be flirting with a younger colleague while languishing in the rut of stale matrimony. A Marathi theatrical group, Mumbai, 1870. MUMBAI: The last time Marathi actor Prashant Damle performed on the crescent-like stage of NCPA’s Tata Theatre, his character Manoj aka Manya was newly married.